Composing Opposition

Salt and pepper.  An exegesis of structuralist text.  An agency of a gastronomic cogito where the awareness of one's senses mitigates the existence of a socially-bound set of spices whose seeming ubiquity seems now to be merging with the infinite.

To engage farce.  In French- stuffing.  The interiority, physicality, and topological distortions of an existence.  A performance by the senses.  In English- a skillfully exploited situation.  Experience is contingent upon exteriority.  A performance for the senses.

It is the primacy of sight belying the perceived oppositional apparatus of taste.  A verisimilitude unto a single perception, sight, whose supposed analog, taste, is only metaphorical- an emergent wilderness in opposition to the nature of things.  A likeness with a deferred, distributive ontology.  What discursive stratagem may disengage/liberate a conception from a literary/sensory historical locus like a shadow from its object as such?  To emerge, in the sense of deconstruction?